Nazrul: The rebel in pursuit of freedom
for the masses
Nazrul Academy held a discussion and cultural
programme to pay tribute on the occasion of the National Poet's 102nd birth anniversary
EMINENT Nazrul scholars stressed the need for delving out Nazrul's poetic spirit
and rebellious vision in the wake of persisting socio-ethical deterioration and
discrimination to establish social equilibrium, justice and equality. The discussants
spoke out their views knowledge on the rebel poet at a discussion programme held by the
Nazrul Academy at its Nazrul Bhaban on May 24 and 25 in the city to celebrate poet's 102nd
birth anniversary.
On each day a cultural function featuring Nazrul songs, poetry
recital and dance followed. The speakers urged to resort to Nazrul's teachings and
revolutionary message of his work as a remedy for the malady of our bourgeois society and
to bring about socio-religious equality and co-existence.
The second day of the discussion programme opened
with poet and lyricist Sabir Ahmed Chowdhury in the chair alongwith eminent Nazrul
exponent Khalid Hossain, Siddiqur Rahman, Dr Ashraf Siddiqui, Abu Zafar Ahmed Rasul and
the General Secretary of Nazrul Academy, Mintu Rahman.
Abu Zafar Ahmed recited two of Nazrul's devotional
poems from the collection of verse Kabya Ampara.
In his opening note, Mintu Rahman recapped some of
his points that he had made on the previous day's programme saying, "Nazrul Academy
is 35 years old; oldest of its kind in the country but its suffers severe financial
constraint for the last three years. The academy has not enjoyed any government
patronisation in the form of grant or aid." He made a demand that Nazrul's work
should be prescribed in the Dhaka University syllabus. "There are drawbacks of
various types that we suffer in practising Nazrul and disseminating his teachings and
message of humanitarianism," he said further. Ideally Nazrul was above communalism, a
patriot, a humanitarian and rebel. It may be noted here that Nazrul had a fearless voice
for the downtrodden of the society. It was Nazrul who bravely sang the song of freedom of
the masses in view of their socio-economic emancipation. He heroically rebelled against
the colonial exploitation and suppression by the British colonisers in the then Indian
sub- continent. People under the grip of colonial rule in this part of the world were
deeply stirred by Nazrul's inspiring work comprising lyrics of rebellion.
Mintu also called upon all so that we do not indulge
in factionalism and split Nazrul's ideals. He stressed upon the necessity of retaining
purity of Nazrul is songs preventing its deliberate distortion.
Khalid Hossain claimed that Nazrul has composed many
more lyrics than that of Rebindranath Tagore but still only eight or nine hundred of them
have got printed. He said that cultivating Nazrul is facing problems. "Nazrul song
has an individual character and he has created a different gharana in the domain of
music," Khalid pointed out. He also said, "It is wrong to throw Nazrul away out
of his own orbit of literary creed in the name of adopting the trend of the age. One must
remain faithful to the original tune of Nazrul songs when one cultivates different genres
of these songs. One successful Nazrul trainer has to be research-minded. He has to be duly
respectful to the correct form of Nazrul songs."
Next Siddiqur Rahman who spoke, analytically viewing
contemporary perspective of which Nazrul was a product. He said, "Nazrul's
contemporary social milieu was marked with the clash between vice and virtue; good and
evil; justice and injustice all that is still prevalent in today's society."
This very fact recommends Nazrul's necessity and
relevance to today's society. "A versatile genius, Nazrul endured untold miseries
throughout his life. He sustained sorrows extracted from his own life. Nazrul took part in
the World War II towards its last phase. He fought in the Baghdad frontier hoping to
experience sufferings and miseries of the toiling masses," he cited some historical
events in the relation. "It is difficult to find any one, except Nazrul, who has
reflected the very spirit of the Russian revolution in the Indian sub-continent. The
British intelligence department termed Nazrul as 'a Bolshevik menace to India' in their
report," Rahman continued.
He added, "The great war being over, Nazrul
began working for The Dhumketu and The Nabajug. His writings were full of revolutionary
messages that stirred up the spirit of freedom amongst the grass roots level toiling
masses. This made the British government cautious of Nazrul and to keep an intensive watch
on him. The Bitish Government intelligence used to keep a record of their reports called
'Bolshevic Diary' in which they noted, "Nazrul Islam has formed a formidable
organisation in Comilla," hinting at his political activities there. He joined the
Swaraj movement of Deshbandhu Chityaranjan and Subash Chandra Basu's 'Forward Block' from
where he contributed to anti-colonial movement. Interestingly enough, though Nazrul had no
direct involvement with any separatist political movement, but he did the groundworked for
a mass upsurge against the British colonial rulers in the British-India through his fiery
writings. The British government might be aware of Nazrul's behind the screen role against
colonial exploitation made it apprehensive of a revolution. As a consequence, Nazrul was
subjected to frequent imprisonment and other rigorous treatment. But his was an
indomitable soul yielding to no intimidation. Even while imprisoned, he composed
anti-establishment poems like "Karar Oi Louha Kapat Bhenge Phel Korrey Lopat."
Dr. Ashraf Siddiqui spoke from the audience row
reminding that Nazrul and Rabindranath are equally honoured in the Barak valley of
neighbouring state of Assam in India. He said, "Though history, it is not in the
common knowledge that apart from that in 1952 in Bangladesh, another language movement
that wanted to establish Bangla as an official language took place in July 1961 in the
valley of Barak comprising Karimgonj, Hailakandi, Shilchar and Haplong." Nazrul's
work is taught in the University of Assam.
The discussion was followed by a cultural function
including chorul and solo recital of Nazrul songs and dances. Besides noted artistes,
students of Nazrul Academy's Magbazar and Dhanmondi branch performed on the occasion.